The Editorial Magazine Our friends at @antennebooks introduced us to the wonderfully whacky Editorial magazine. This independently published, Montreal based magazine is jam-packed with original content, riotous colour and comes with a riso insert by @clayhickson What’s not to love? Here’s what VICE’s Amelia Abraham had to say about the magazine: “The Editorial Magazine’s message is cryptic. They publish almost every kind of work conceivable, from fashion editorials to amateur photography to excellent photography to poetry to essays to interviews to paintings to that CGI art everyone’s always arguing about. There are very few adverts. They’re open to subscriptions but without guidelines. One of the best Editorial features I read was in Issue #12 , and it was an interview with Hollywood stuntwoman and photographer Hannah Kozak, who talked about throwing punches and leaping out of buildings. Kozak had been sneaking onto sets and shooting the world of Hollywood make-believe since before she was actually invited onto them as a stunt double, and shared some of her candid portraits with Editorial, including those of Nicholas Cage and Isabella Rossellini on the set of David Lynch’s Wild at Heart. This got me thinking; The Editorial Magazine is kind of Lynchian. And maybe that’s all it needs to be, an intriguing series of timeless images with no collective thread.” Background image credit: Tan and Loose Press / Clay Hickson
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The Editorial Magazine
Our friends at @antennebooks introduced us to the wonderfully whacky Editorial magazine. This independently published, Montreal based magazine is jam-packed with original content, riotous colour and comes with a riso insert by @clayhickson What’s not to love?
Here’s what VICE’s Amelia Abraham had to say about the magazine: “The Editorial Magazine’s message is cryptic. They publish almost every kind of work conceivable, from fashion editorials to amateur photography to excellent photography to poetry to essays to interviews to paintings to that CGI art everyone’s always arguing about. There are very few adverts. They’re open to subscriptions but without guidelines.
One of the best Editorial features I read was in Issue #12 , and it was an interview with Hollywood stuntwoman and photographer Hannah Kozak, who talked about throwing punches and leaping out of buildings. Kozak had been sneaking onto sets and shooting the world of Hollywood make-believe since before she was actually invited onto them as a stunt double, and shared some of her candid portraits with Editorial, including those of Nicholas Cage and Isabella Rossellini on the set of David Lynch’s Wild at Heart.
This got me thinking; The Editorial Magazine is kind of Lynchian. And maybe that’s all it needs to be, an intriguing series of timeless images with no collective thread.”
Background image credit: Tan and Loose Press / Clay Hickson
#Theeditorialmagazine #editorialmagazine #Libtriptych #libreriarecommends #magazines #independentpublishing
The Editorial Magazine
Our friends at @antennebooks introduced us to the wonderfully whacky Editorial magazine. This independently published, Montreal based magazine is jam-packed with original content, riotous colour and comes with a riso insert by @clayhickson What’s not to love?
Here’s what VICE’s Amelia Abraham had to say about the magazine: “The Editorial Magazine’s message is cryptic. They publish almost every kind of work conceivable, from fashion editorials to amateur photography to excellent photography to poetry to essays to interviews to paintings to that CGI art everyone’s always arguing about. There are very few adverts. They’re open to subscriptions but without guidelines.
One of the best Editorial features I read was in Issue #12 , and it was an interview with Hollywood stuntwoman and photographer Hannah Kozak, who talked about throwing punches and leaping out of buildings. Kozak had been sneaking onto sets and shooting the world of Hollywood make-believe since before she was actually invited onto them as a stunt double, and shared some of her candid portraits with Editorial, including those of Nicholas Cage and Isabella Rossellini on the set of David Lynch’s Wild at Heart.
This got me thinking; The Editorial Magazine is kind of Lynchian. And maybe that’s all it needs to be, an intriguing series of timeless images with no collective thread.”
Background image credit: Tan and Loose Press / Clay Hickson
#Theeditorialmagazine #editorialmagazine #Libtriptych #libreriarecommends #magazines #independentpublishing
