The Plague: Albert Camus We were so happy to have found this gorgeous copy of ‘The Plague’. It’s an important read and one of the greatest allegorical portraits of small-town contagion and fear. Acclaimed writer Marina Warner recounts her return to the book and its timeless ability to comment on human nature: “Far from being a study in existential disaffection, as I had so badly misremembered, The Plague is about courage, about engagement, about paltriness and generosity, about small heroism and large cowardice, and about all kinds of profoundly humanist problems, such as love and goodness, happiness and mutual connection. Camus published the novel in 1947 and his town’s sealed city gates embody the borders imposed by the Nazi occupation, while the ethical choices of its inhabitants build a dramatic representation of the different positions taken by the French. He etches with his sharp, implacable burin questions that need to be faced now more than ever in the resistance to terrorism. Perhaps even more than when La Peste was published, the novel works with the stuff of fear and shame, with bonds that tie and antagonisms that sever


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Add to Calendar Europe/Paris The Plague: Albert Camus We were so happy to have found this gorgeous copy of ‘The Plague’. It’s an important read and one of the greatest allegorical portraits of small-town contagion and fear. Acclaimed writer Marina Warner recounts her return to the book and its timeless ability to comment on human nature: “Far from being a study in existential disaffection, as I had so badly misremembered, The Plague is about courage, about engagement, about paltriness and generosity, about small heroism and large cowardice, and about all kinds of profoundly humanist problems, such as love and goodness, happiness and mutual connection. Camus published the novel in 1947 and his town’s sealed city gates embody the borders imposed by the Nazi occupation, while the ethical choices of its inhabitants build a dramatic representation of the different positions taken by the French. He etches with his sharp, implacable burin questions that need to be faced now more than ever in the resistance to terrorism. Perhaps even more than when La Peste was published, the novel works with the stuff of fear and shame, with bonds that tie and antagonisms that sever

The Plague: Albert Camus
We were so happy to have found this gorgeous copy of ‘The Plague’. It’s an important read and one of the greatest allegorical portraits of small-town contagion and fear.
Acclaimed writer Marina Warner recounts her return to the book and its timeless ability to comment on human nature: “Far from being a study in existential disaffection, as I had so badly misremembered, The Plague is about courage, about engagement, about paltriness and generosity, about small heroism and large cowardice, and about all kinds of profoundly humanist problems, such as love and goodness, happiness and mutual connection. Camus published the novel in 1947 and his town’s sealed city gates embody the borders imposed by the Nazi occupation, while the ethical choices of its inhabitants build a dramatic representation of the different positions taken by the French. He etches with his sharp, implacable burin questions that need to be faced now more than ever in the resistance to terrorism. Perhaps even more than when La Peste was published, the novel works with the stuff of fear and shame, with bonds that tie and antagonisms that sever.” #libreriarecommends #libtryptich #marinawarner #camusreview #guardianreviews

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The Plague: Albert Camus
We were so happy to have found this gorgeous copy of ‘The Plague’. It’s an important read and one of the greatest allegorical portraits of small-town contagion and fear.
Acclaimed writer Marina Warner recounts her return to the book and its timeless ability to comment on human nature: “Far from being a study in existential disaffection, as I had so badly misremembered, The Plague is about courage, about engagement, about paltriness and generosity, about small heroism and large cowardice, and about all kinds of profoundly humanist problems, such as love and goodness, happiness and mutual connection. Camus published the novel in 1947 and his town’s sealed city gates embody the borders imposed by the Nazi occupation, while the ethical choices of its inhabitants build a dramatic representation of the different positions taken by the French. He etches with his sharp, implacable burin questions that need to be faced now more than ever in the resistance to terrorism. Perhaps even more than when La Peste was published, the novel works with the stuff of fear and shame, with bonds that tie and antagonisms that sever.” #libreriarecommends #libtryptich #marinawarner #camusreview #guardianreviews

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